Use a Culling ToolĬulling is an integral part of the editing process but it can be time consuming. Having less pictures to upload and cull will save you time and hard drive space. But can you imagine having to cull all of them? Be intentional with what you are shooting, try to wait for the good moments and anticipate what subjects might do. You could give a toddler a camera set on automatic and if it shot that many images, by the laws of average, there would be at least 500 good ones. I’ve heard of photographers hitting 25k or more – That is just insane. Yes, with digital cameras and fast memory cards, the sky’s the limit on how many images that you can take on a wedding day. Just take a moment, check your light reading, check your composition, check the edges of the frame, check if you are straight (I have to have my camera spirit level on), and then take your shots. But trust me, there is always time to get your settings right. In the UK we are lucky to get 10 minutes so it’s natural to panic shoot. In these times of Pinterest, you might find yourself trying to produce creative portraits influenced by something that another photographer created in the US with half a day to shoot the couple. We often get very little access to our subjects. What slows you down in any editing software is correcting your mistakes so try not to make so many! I understand that there is pressure on you when you shoot weddings. So, how can you also speed up your workflow and gain back your sweet and precious time? Here are my tips – Get It Right In Camera There’s no overtime paid out because you spent extra long on an edit. That is when I am most fulfilled and that is really the only time most of us make money from our photography. I didn’t get into photography to be an editor, I got into it to shoot. I love my career but I also love my life and I want to enjoy as much of it as possible. There is no glory in spending days and days at your desk, a slave to Lightroom or whatever editing programme that you use. Trust me, it does not have to be like this. This is not the case for everyone and I’m seeing many posts from photographers struggling to meet their delivery dates and sometimes taking several weeks to get an edit ready. However, I cannot imagine how I would be coping if I didn’t have an incredibly efficient workflow. Now I’m not complaining – after so long without being able to shoot weddings, it feels incredible to be able to get out there and do my job. Many of us are having to accommodate all the postponed bookings as well as accommodate new ones and so the ‘season’ is feeling very condensed. But this is 2021, a complete anomaly of a year and I find myself shooting weddings on weekdays and shooting weddings in clusters. In ordinary times, I wouldn’t book weddings on days after another one. Plans are almost impossible to make and it feels like a case of having to roll with the punches. Simple, predictable pricing.Īn EditReady license is perpetual, works on Mac, and includes a year of updates and support.This is the craziest year I’ve ever known in business. Use the overlay tool to burn-in timecode, reel names, shoot dates, media names, and other metadata. Layout custom formatted text, including metadata values from the source media. Import images with alpha channels to apply complex bugs or watermarks. Use the overlay editor to position graphical elements for compositing on top of your video. Play back, trim, add LUTsĪnd there's more: screen your camera's original media files before you transcode them, apply a LUT to preview your Log media with or without a specific predetermined look, check your previewed clip in ScopeBox via our integrated ScopeLink connection, and set In and Out points to avoid transcoding unwanted parts of your clips. EditReady's unique color pipeline make this a breeze, translating everything to what you need it to be, without compromises. When a shoot mixes camera formats, you'll end up with a variety of color spaces, Log types, HDR formats, and LUTs. The end result? A high quality proxy that's easy to edit with, with all the flexibility a non-RAW format carries. EditReady uses each vendor's specific RAW decoder, using the vendor preferred Log format to reflect the original shooting intent. Use metadata to automatically rename files, or burn data into overlays. Review and edit metadataĮditReady lets you view and edit all of the metadata associated with your file, including location data, camera settings, and diagnostic information. Every codec gets transcoded as its makers intended it to. No unofficial frameworks, and zero hacks. Using each manufacturers' original SDK wherever possible to ensure the best quality transcodes.
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